Devienne - 6 Flute Duets, op.2
£9.45
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Label: Brilliant Classics
Cat No: 96694
Format: CD
Number of Discs: 1
Genre: Chamber
Release Date: 24th February 2023
Contents
Artists
Chiara Pavan (flute)Benedetta Ballardini (flute)
About
His output includes opera, extensive educational work, and approximately 300 instrumental works that were mostly written for wind instruments. There are about 20 flute concertos, mainly written for his own use, and many of his works are still popular today in standard flute repertoire. His Concerto no.7 in E minor, for example, contains all the poetry and aesthetics of his music – it is quintessentially beautiful, charming, melodious and witty. Devienne's compositions for flute, revived by Jean-Pierre Rampal in the 1960s, became well-known among flautists. Unfortunately, Devienne’s fortunes declined suddenly in the new century and he died in 1803, four months after being committed to the Charenton insane asylum.
The Six Duos, op.2, were written in 1786 for the captain of the guard of the Artois Count. They are a collection of six duos for two flutes, each of them divided into two movements. The general atmosphere exuded throughout the set is playful, fresh and bright, possibly because of the absence of the slow and thoughtful second movement that traditionally would have been placed between the first and last allegros. There is no shortage of singable and lyrical melodies, though: the Gracioso con Variatione, the second movement of the third duet, is a prime example.
The movement markings chosen by Devienne are primarily Allegro, Rondeau, Gracioso and Menuetto. Every tempo mark is set between a moderate and a fast, lively tempo, in order to develop either the lyrical themes or display the shimmering virtuosity of the flutes. In fact, it seems that the composer’s aim was to make the listener feel like there is only one flute playing instead of two: the sound, the articulation and the phrasing of each must be as similar to one another as possible. Needless to say, these are the greatest difficulties to deal with for the musicians. Furthermore, the pieces were written to accompany the lives of the aristocracy, for example celebrations and tea parties, which is why this kind of music is also called ‘salon music’. The two flautists made their recording using the first edition sheet music published by Sieber in Paris, c.1786.
Played by Chiara Pavan and Benedetta Ballardini, two of Italy’s foremost flautists, enjoying an active career both as soloists and in ensembles/orchestras.
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