Sounds and Sweet Airs: A Shakespeare Songbook | BIS BIS2653

Sounds and Sweet Airs: A Shakespeare Songbook

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Label: BIS

Cat No: BIS2653

Format: Hybrid SACD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 1st September 2023

Contents

Works

Arne, Thomas

Under the Greenwood Tree

Beach, Amy

Shakespeare Songs (3), op.37
» no.3 Fairy Lullaby

Bridge, Frank

Blow, blow, thou winter wind

Britten, Benjamin

Fancie

Castelnuovo-Tedesco, Mario

Shakespeare Songs (33), op.24
» Arise, 'Sea Murmurs'

Coleridge-Taylor, Samuel

Othello Suite, op.79
» The Willow Song

Cornelius, Peter

Duette (4), op.16
» no.3 Komm herbei, Tod

Dankworth, John

Shall I compare thee to a summer's day

Dring, Madeleine

Take, O Take Those Lips Away

Frances-Hoad, Cheryl

Shakespeare Songs (2)
» no.2 They Bore him Barefaced on the Bier

Haydn, Franz Joseph

She never told her love, Hob.XXVIa:34

Honegger, Arthur

La Tempete
» Chants d'Ariel (2), H48b

Horder, Mervyn

Shakespeare Songs (7)
» no.2 Under the Greenwood Tree

Ireland, John

Full Fathom Five
Songs of a Wayfarer
» no.2 When daffodils begin to peer

Kendall, Hannah

Rosalind

Moeran, Ernest John

Shakespeare Songs (4)
» no.1 The Lover and his Lass

Parry, Charles Hubert Hastings

Sonnets (4) by Shakespeare
» Sonnet 87: Farewell thou art too dear

Poulenc, Francis

Fancy, FP174

Schubert, Franz

An Sylvia (Who is Sylvia), op.106 no.4 D891
Standchen, D889 'Horch! Horch! Die Lerch'
Trinklied, D888

Schumann, Robert

Lieder und Gesange (5), op.127
» no.5 Schlusslied des Narren

Smith, John Christopher

You spotted snakes

Sullivan, Arthur

Orpheus with his lute

Tippett, Michael

Songs (3) for Ariel

Vaughan Williams, Ralph

Dirge for Fidele

Williams, Roderick

Sigh no more, ladies

Wolf, Hugo

Gedichte (4) nach Heine, Shakespeare und Lord Byron
» no.2 Lied des transferierten Zettel

Artists

Carolyn Sampson (soprano)
Roderick Williams (baritone)
Joseph Middleton (piano)

Works

Arne, Thomas

Under the Greenwood Tree

Beach, Amy

Shakespeare Songs (3), op.37
» no.3 Fairy Lullaby

Bridge, Frank

Blow, blow, thou winter wind

Britten, Benjamin

Fancie

Castelnuovo-Tedesco, Mario

Shakespeare Songs (33), op.24
» Arise, 'Sea Murmurs'

Coleridge-Taylor, Samuel

Othello Suite, op.79
» The Willow Song

Cornelius, Peter

Duette (4), op.16
» no.3 Komm herbei, Tod

Dankworth, John

Shall I compare thee to a summer's day

Dring, Madeleine

Take, O Take Those Lips Away

Frances-Hoad, Cheryl

Shakespeare Songs (2)
» no.2 They Bore him Barefaced on the Bier

Haydn, Franz Joseph

She never told her love, Hob.XXVIa:34

Honegger, Arthur

La Tempete
» Chants d'Ariel (2), H48b

Horder, Mervyn

Shakespeare Songs (7)
» no.2 Under the Greenwood Tree

Ireland, John

Full Fathom Five
Songs of a Wayfarer
» no.2 When daffodils begin to peer

Kendall, Hannah

Rosalind

Moeran, Ernest John

Shakespeare Songs (4)
» no.1 The Lover and his Lass

Parry, Charles Hubert Hastings

Sonnets (4) by Shakespeare
» Sonnet 87: Farewell thou art too dear

Poulenc, Francis

Fancy, FP174

Schubert, Franz

An Sylvia (Who is Sylvia), op.106 no.4 D891
Standchen, D889 'Horch! Horch! Die Lerch'
Trinklied, D888

Schumann, Robert

Lieder und Gesange (5), op.127
» no.5 Schlusslied des Narren

Smith, John Christopher

You spotted snakes

Sullivan, Arthur

Orpheus with his lute

Tippett, Michael

Songs (3) for Ariel

Vaughan Williams, Ralph

Dirge for Fidele

Williams, Roderick

Sigh no more, ladies

Wolf, Hugo

Gedichte (4) nach Heine, Shakespeare und Lord Byron
» no.2 Lied des transferierten Zettel

Artists

Carolyn Sampson (soprano)
Roderick Williams (baritone)
Joseph Middleton (piano)

About

The 37 songs in this recital, written by 27 composers – male, female, English, French, Swiss, German, Romantic, modern and contemporary – bear witness to the richness of Shakespeare’s works to which this recital is dedicated.

Organised in the form of a play in five acts, including prologue and epilogue, the songs, which include several duets, are in turn cheerful and sad, light and profound, classical and jazzy – thus allowing, in Carolyn Sampson’s words, ‘a breadth of responses to these great texts’. Alongside well-known melodies, such as those by Schubert, there are musical adaptations by different composers of the same texts, as well as a contemporary reflection for the two voices by Hannah Kendall exploring the question of gender fluidity and identity through the elusive character of Rosalind from As You Like It.

After many acclaimed releases on BIS, including Album für die Frau, a collection of songs by Clara and Robert Schumann, A Soprano’s Schubertiade and Elysium, two Schubert recitals, as well as a number of themed recitals, some of which were named ‘Recording of the Month’ by MusicWeb International and ‘CD-Tipp’ by BR Klassik, Carolyn Sampson and Joseph Middleton are joined here by renowned British baritone Roderick Williams.

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