P de Araujo - Organ Music
£9.45
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Label: Brilliant Classics
Cat No: 97076
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 19th January 2024
Contents
Works
Batalha do 6 tomConsonancias de 1 Tom
Meio registo tercado de tres tiples
Obra de 1 tom sobre a salva
Obra de 2 tom por B quadro
Obra de 6 tom
Obra de 8 tom
Obra de passo solto de 8 tom
Phantasia de 2 tom
Phantasia de 4 tom
Phantasia de 8 tom
Susana de 2 tom
Tento de 2 tom
Artists
Rui Fernando Soares (organ)Works
Batalha do 6 tomConsonancias de 1 Tom
Meio registo tercado de tres tiples
Obra de 1 tom sobre a salva
Obra de 2 tom por B quadro
Obra de 6 tom
Obra de 8 tom
Obra de passo solto de 8 tom
Phantasia de 2 tom
Phantasia de 4 tom
Phantasia de 8 tom
Susana de 2 tom
Tento de 2 tom
Artists
Rui Fernando Soares (organ)About
The Batalha do 6º Tom and the [Susana] do 2º Tom hark back to the 16th century tradition of intabulating existing vocal works, the former based on the chanson ‘La Guerre’ by Clement Janequin, the latter on ‘Susane un jour’ by Orlando di Lasso, a famous vocal work throughout Europe and the target of many other composers’ intabulations.
The Phantasias, Obras and Tentos fall within the stylistic sphere of the tento (Spanish: tiento), an Iberian genre characterised by contrapuntal writing and multiple contrasting sections. In them de Araújo displays his mastery at weaving contrapuntal lines and varying the thematic material. The Consonâncias de 1º Tom corresponds stylistically to a tento de falsas (Sp.: tiento de falsas / It.: durezze e ligature), with the work developing in a succession of dissonances. The Passo solto de 7º Tom is a work entirely in triple meter with a succession of iambic rhythms reminiscent of the vilancico style.
Played on the Manuel Benito Gómez de Herrera organ (1739) at the Mosteiro de Arouca, Portugal, a fine historical instrument perfectly suited to this music. The technical details of the organ are included in the booklet.
Rui Fernando Soares is one of the foremost keyboard players of Portugal. In 2008 he attended at the International Organ Festival of Haarlem (Netherlands) where he worked with Prof. Bernard Winsemius. In 2012 he concluded his Master's degree in Early Music at the Conservatory of Amsterdam with a “Cum Laude” distinction. There he studied organ with Prof. Pieter van Dijk and harpsichord with Prof. Tileman Gay. At the same time, he studied under the guidance of Prof. Ton Koopman.
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