Judenkonig - The Art of the ‘Lautenschlager’
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Label: Christophorus
Cat No: CHR77477
Format: CD
Number of Discs: 1
Release Date: 26th January 2024
Contents
Works
Adieu mes amours (arr. Hans Neusidler)Zucht, eer und lob (arr. Hans Judenkonig)
Innsbruck, ich muss dich lassen (arr. Sebastian Ochsenkun)
Ain trium
Das ander Priamell
Das dritt Priamell
Das erst Priamell
Das fierd Priamell
Das funfft Priamell
Kalata ala Spagnola
Pavana alla Veneziana
Tropolus Secret (Pierre de la Rue)
Susanne ung jour (arr. Matthaus Waissel)
Ohn dich muss ich mich aller freuden massen
Ein guter gassenhauer auff die Welischart
Preamel
Wascha mesa
Der Fuggerin Dantz
Fantasia super Ancor che col partire
Mir ist ein feins brauns magetlin & hupffauff
Elsein liebes, Elsein mein (arr. Hans Judenkonig)
Phantasia 1 (1575)
Phantasia 1 (1592)
Phantasia 3 (1592)
Preambulum 1
Preambulum 2
Tanz und Sprung
Artists
Max Hattwich (lute)Johannes Wieners (countertenor)
Jonathan Boudevin (baritone)
Works
Adieu mes amours (arr. Hans Neusidler)Zucht, eer und lob (arr. Hans Judenkonig)
Innsbruck, ich muss dich lassen (arr. Sebastian Ochsenkun)
Ain trium
Das ander Priamell
Das dritt Priamell
Das erst Priamell
Das fierd Priamell
Das funfft Priamell
Kalata ala Spagnola
Pavana alla Veneziana
Tropolus Secret (Pierre de la Rue)
Susanne ung jour (arr. Matthaus Waissel)
Ohn dich muss ich mich aller freuden massen
Ein guter gassenhauer auff die Welischart
Preamel
Wascha mesa
Der Fuggerin Dantz
Fantasia super Ancor che col partire
Mir ist ein feins brauns magetlin & hupffauff
Elsein liebes, Elsein mein (arr. Hans Judenkonig)
Phantasia 1 (1575)
Phantasia 1 (1592)
Phantasia 3 (1592)
Preambulum 1
Preambulum 2
Tanz und Sprung
Artists
Max Hattwich (lute)Johannes Wieners (countertenor)
Jonathan Boudevin (baritone)
About
One of them is Hans Judenkönig - a pioneer of German Renaissance music, in which the lute played an important role. The repertoire of the German "Lautenschläger" is rarely played because it is written in German lute tablature, a notation in fingerings instead of notes. This notation was particularly suitable for learning to play the lute through self-study and for playing polyphonic compositions in the private sphere. In 1523, Hans Judenkönig published Ein schöne künstliche Underweisung, an early school in German lute tablature with many sample pieces, which forms the core of this CD programme. In addition, Max Hattwich has selected works by the following generation of German lutenists who were influenced by Judenkönig: first and foremost Hans and Melchior Neusidler, but also pieces by Matthäus Waissel, Leonhard Lechner and Sebastian Ochsenkun.
With his selection, Max Hattwich creates a wonderful sound painting of the art of the lute in the 16th century and takes the listener into the private chambers of the bourgeois and aristocratic houses of the German Renaissance.
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