JS Bach - The First Cantata Year Vol.3
£26.55
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Label: Haenssler Classic
Cat No: HC23027
Format: CD
Number of Discs: 2
Genre: Vocal/Choral
Release Date: 7th June 2024
Contents
Works
Cantata BWV25 'Es ist nichts Gesundes an meinem Leibe'Cantata BWV46 'Schauet doch und sehet, ob irgendein Schmerz sei'
Cantata BWV69 'Lobe den Herrn meine Seele'
Cantata BWV77 'Du sollt Gott, deinen Herren, lieben'
Cantata BWV105 'Herr, gehe nicht ins Gericht mit deinem Knecht'
Cantata BWV119 'Preise, Jerusalem, den Herrn'
Cantata BWV179 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei'
Cantata BWV199 'Mein Herze schwimmt im Blut'
Artists
Miriam Feuersinger (soprano)Isabelle Schiketanz (soprano)
Elvira Bill (alto)
Henriette Reinhold (alto)
Patrick Grahl (tenor)
Daniel Johannsen (tenor)
Benedikt Kristjansson (tenor)
Tobias Berndt (bass)
Peter Harvey (bass)
Matthias Winckhler (bass)
Gaechinger Cantorey
Conductor
Hans-Christoph RademannWorks
Cantata BWV25 'Es ist nichts Gesundes an meinem Leibe'Cantata BWV46 'Schauet doch und sehet, ob irgendein Schmerz sei'
Cantata BWV69 'Lobe den Herrn meine Seele'
Cantata BWV77 'Du sollt Gott, deinen Herren, lieben'
Cantata BWV105 'Herr, gehe nicht ins Gericht mit deinem Knecht'
Cantata BWV119 'Preise, Jerusalem, den Herrn'
Cantata BWV179 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei'
Cantata BWV199 'Mein Herze schwimmt im Blut'
Artists
Miriam Feuersinger (soprano)Isabelle Schiketanz (soprano)
Elvira Bill (alto)
Henriette Reinhold (alto)
Patrick Grahl (tenor)
Daniel Johannsen (tenor)
Benedikt Kristjansson (tenor)
Tobias Berndt (bass)
Peter Harvey (bass)
Matthias Winckhler (bass)
Gaechinger Cantorey
Conductor
Hans-Christoph RademannAbout
The Internationale Bachakademie Stuttgart is performing all these cantatas in chronological order exactly 300 years later. The ensemble of the Bachakademie, the Gaechinger Cantorey, plays under the direction of Hans-Christoph Rademann. For this purpose it comprises the instrumentalists and up to four vocalists per voice, including the soloists, all specialists in their field, as Bach himself wished it. This is a vision that only now can be fulfilled in its ideal form. To this day the music will inspire its audience to devotion, challenge them to reflect and make them glad. It addresses questions of faith and comes to terms with particular situations of human life.
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