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Dissonanti: Bach Transcriptions
£14.49
Usually available for despatch within 3-5 working days
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
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Pre-orders will be despatched as close as possible to the release date.
Label: Incises
Cat No: INC006
Format: CD
Number of Discs: 1
Release Date: 7th June 2024
Contents
Works
Chorale Prelude BWV646 'Woll soll ich fliehen hin' (arr. Sebastien Marq)Chorale Prelude BWV659 'Nun komm der Heiden Heiland' (arr. Antoine Torunczyk)
Chorale Prelude BWV676 'Allein Gott in der Hoh' sei Ehr' (arr. Sebastien Marq)
Chorale Prelude BWV684 'Christ, unser Herr, zum Jordan kam' (arr. Sebastien Marq)
Chorale Prelude BWV710 'Wir Christenleut habn jetzund Freud' (arr. Sebastien Marq)
Chorale Prelude BWV759 'Schmucke dich, o liebe Seele' (arr. Sebastien Marq)
Fantasia and Fugue in A minor, BWV904 (arr. Antoine Torunczyk)
Partita for solo violin no.2 in D minor, BWV1004
Pedal-Exercitium, BWV598 (arr. Sebastien Marq)
The Well-Tempered Clavier Book 2, BWV870-893
Artists
DissonantiWorks
Chorale Prelude BWV646 'Woll soll ich fliehen hin' (arr. Sebastien Marq)Chorale Prelude BWV659 'Nun komm der Heiden Heiland' (arr. Antoine Torunczyk)
Chorale Prelude BWV676 'Allein Gott in der Hoh' sei Ehr' (arr. Sebastien Marq)
Chorale Prelude BWV684 'Christ, unser Herr, zum Jordan kam' (arr. Sebastien Marq)
Chorale Prelude BWV710 'Wir Christenleut habn jetzund Freud' (arr. Sebastien Marq)
Chorale Prelude BWV759 'Schmucke dich, o liebe Seele' (arr. Sebastien Marq)
Fantasia and Fugue in A minor, BWV904 (arr. Antoine Torunczyk)
Partita for solo violin no.2 in D minor, BWV1004
Pedal-Exercitium, BWV598 (arr. Sebastien Marq)
The Well-Tempered Clavier Book 2, BWV870-893
Artists
DissonantiAbout
Each of the members of the ensemble, in the course of a busy life spent in contact with Bach's music played on period instruments and with a concern for authenticity in the most prestigious ensembles (Les Arts Florissants, Pygmalion, Freiburger Barockorchester, Amsterdam Baroque Orchestra, Concerto Copenhagen...), have acquired sufficient proximity to his musical language to respect, if not the letter, at least the spirit.
"Our hope is to use these adaptations to show Bach in a light that is both new and familiar. A protean Bach that we've had a lot of fun imagining - and the treasure chest we've opened is not about to close again..."
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