Since 2010, Christian Lindberg and the Norrköping Symphony Orchestra have embarked on a unique and ambitious project: a complete performance and recording cycle of the orchestral works of Allan Pettersson, the Swedish master symphonist renowned for his deeply personal and emotionally charged compositions.

Premièred in 1956, Symphony no.3 is distinctive within Pettersson’s extensive symphonic output as his only symphony in four movements, adhering to a more traditional structure. While an early work reflecting influences of Shostakovich, Sibelius, and Mahler, it is far from a minor achievement. Though the lyrical passages that would later define his style are not yet fully developed, the symphony offers a concise and sharply etched musical landscape, both impressive and strikingly original.

Symphony no.8, premièred in 1972, is arguably Pettersson’s most celebrated and frequently performed symphony. Its extended, often described as “free” or “never-ending”, melodies create an impression of boundless continuation, yet the work is far from tranquil. As is characteristic of Pettersson, the symphony possesses a strong autobiographical element. In his own words: “The work I am working on is my own life, the one that is blessed, the one that is cursed: I devote myself to it in order to rediscover the song that the soul once sang.”