Redman - Mist on the Moors: The Piano Music of Reginald Redman
£15.15
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Label: Heritage
Cat No: HTGCD121
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 13th February 2026
Contents
Works
A Cornish LegendAll Through the Night (earlier version)
All Through the Night (later version)
Arabesque
Children at Play
Cradle Song
Deep in the Woods
Gossamer
Graceful Dance
Humoreske
In Changing Moods
In a Gondola
La Nuit
Lullaby for a Kitten
Lyric Piece
Mist on the Moors
On the Cornish Coast
Prelude no.1 'Vent a travers les roseaux' (Wind through the Reeds)
Prelude no.2 'Dans la Clairiere des esprits follets' (In the Glade of the Will-o'-the-Wisps)
Prelude no.3 'Le Desert au point du jour' (The Desert at Dawn)
Song of the Fountain
The Lonely Faun
The Mystic Garden
Venetian Barcarolle
Artists
Duncan Honeybourne (piano)Works
A Cornish LegendAll Through the Night (earlier version)
All Through the Night (later version)
Arabesque
Children at Play
Cradle Song
Deep in the Woods
Gossamer
Graceful Dance
Humoreske
In Changing Moods
In a Gondola
La Nuit
Lullaby for a Kitten
Lyric Piece
Mist on the Moors
On the Cornish Coast
Prelude no.1 'Vent a travers les roseaux' (Wind through the Reeds)
Prelude no.2 'Dans la Clairiere des esprits follets' (In the Glade of the Will-o'-the-Wisps)
Prelude no.3 'Le Desert au point du jour' (The Desert at Dawn)
Song of the Fountain
The Lonely Faun
The Mystic Garden
Venetian Barcarolle
Artists
Duncan Honeybourne (piano)About
‘Reginald Redman (1892-1972) was a revered figure: a cultured musician and refined composer; a generous supporter of the arts in the West Country; and a man whose influence as BBC West of England Director of Music defined the tastes of a generation.
‘The majority of Redman’s solo piano music seems to have been composed in the 1920s, before the demands of BBC work became all-consuming. It displays elegant craftsmanship and a fondness for the instrument’s lyrical qualities, demanding warm melodic lines and a keen colouristic imagination, as well as nimble fingers and, at times, a relaxed and unselfconscious virtuosity. The intervallic language sometimes betrays Redman’s interest in Chinese music – with a pentatonic flavour making a more than occasional appearance – and he is fond of fourths and fifths. Some of Redman’s piano music is highly distinguished and intended for the professional recitalist, whilst some slighter pieces were clearly written with an educational purpose in mind.’
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