Mahler - Symphonies 1-9
£61.70
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Label: Pentatone
Cat No: PTC5187490
Format: CD
Number of Discs: 11
Release Date: 10th April 2026
Contents
Artists
Christiane Karg (soprano)Katerina Knezikova (soprano)
Miriam Kutrowatz (soprano)
Chen Reiss (soprano)
Sarah Wegener (soprano)
Stefanie Iranyi (mezzo-soprano)
Jennifer Johnston (mezzo-soprano)
Catriona Morison (mezzo-soprano)
Elisabeth Kulman (contralto)
David Butt Philip (tenor)
Adam Plachetka (baritone)
David Steffens (bass)
Czech Philharmonic Choir of Brno
Prague Philharmonic Children’s Choir
Prague Philharmonic Choir
Pueri gaudentes
Czech Philharmonic
Conductor
Semyon BychkovWorks
Symphonies 1-9 (complete)Artists
Christiane Karg (soprano)Katerina Knezikova (soprano)
Miriam Kutrowatz (soprano)
Chen Reiss (soprano)
Sarah Wegener (soprano)
Stefanie Iranyi (mezzo-soprano)
Jennifer Johnston (mezzo-soprano)
Catriona Morison (mezzo-soprano)
Elisabeth Kulman (contralto)
David Butt Philip (tenor)
Adam Plachetka (baritone)
David Steffens (bass)
Czech Philharmonic Choir of Brno
Prague Philharmonic Children’s Choir
Prague Philharmonic Choir
Pueri gaudentes
Czech Philharmonic
Conductor
Semyon BychkovAbout
Symphonies nos. 1–5, released by PENTATONE beginning in April 2022, have received universal acclaim. The recordings have been selected as Gramophone Editor’s Choice and BBC Music Magazine Recording of the Month. As The Sunday Times writes, “This is turning out to be one of the truly great Mahler sets.”
“Everyone who loves Mahler’s music knows why, even if not always able to explain it. They risk dying of an overdose, but don’t mind. They are right.
“Those who don’t love Mahler’s music also know why: too disturbing, too personal, too long. They are right too, for it is truly disturbing, truly personal, takes a certain amount of time to arrive at the end, and sometimes even longer to digest. We are so made that, what is a miracle for some is bound to be a punishment for others. In itself, this is not remarkable, except for the colossal shift in the perception of Mahler’s music. The rejection and derision that often greeted his music at the time it was first presented, have been replaced – roughly half a century later – by an overwhelming acceptance, often bordering on hysteria.
“Why? Why has Mahler’s music become so relevant today that we keep on trying to convincingly re-create it, keep on listening to it and, keep on rediscovering what has always been there but eluded us, as it eluded most of its early listeners? For me, the answer lies in Time: Time to have lived individually and collectively as a human society. A society that needed the 20th century (and to this day) with all its creations and all its destructions to recognize the extent to which we are all part of a larger Universe, the universe that Mahler uniquely and prophetically created in each of his works. The prophets are always there early, ahead of their time.”
“Given the astonishing breadth of the composer's vision, a complete Mahler symphonic cycle is no mean feat. For the celebrated orchestra that is the Czech Philharmonic, it is the culmination of their extraordinary recorded legacy under maestro Semyon Bychkov which emphasizes the universal appeal of the composer's music.
“Mahler was born in Bohemia and thus can claim that the roots of his humanist message spring from the soil of his childhood. It is both an honour and privilege for us at PENTATONE to share this incredible symphonic legacy with the world, and we congratulate the Czech Philharmonic on this hugely impressive achievement.”
Reviews
Things get progressively more exciting and distinctive in the later symphonies. ... No. 6 receives a colourful, less doomy performance than usual, with an exquisite Alpine interlude in the first movement’s development section. Bychkov places the scherzo second, always a plus in my book, and the huge finale is both exciting and coherent. ... Symphony No. 7 might be the best thing in this set, Bychkov’s reading well-paced and magnificently played. ... I’ve long struggled with Symphony No. 8 but Bychkov’s big-hearted, spectacular performance needs to be heard. You really can hear everything, passages like the first movement coda jaw-dropping in terms of sonic impact. Graham Rickson
The Seventh is notoriously problematic, but Bychkov’s meticulous reading is remarkably convincing. ... The Eighth symphony, strongly cast and superbly recorded, is one of the finest in the catalogue. ... The architectural arc of the Ninth is deftly realised... The playing of the Czech Philharmonic, especially the woodwind, is unimpeachable throughout. Clive PagetError on this page? Let us know here
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