On this landmark release Nathalie Stutzmann becomes one of the few women and the first with a major U.S. orchestra to record a cornerstone of the Bruckner repertoire. Since 2022, she has shaped the ASO into a “pristine, precisely levelled” ensemble (ArtsATL), fusing American precision with European depth.

Following their acclaimed Dvořák 9, praised for its “explosive” energy and “bold, raw” textures, Stutzmann brings her acclaimed Wagnerian insight from Bayreuth (Tannhäuser, Rienzi) to Bruckner’s Fourth. According to Bachtrack: “With her intuitive gifts as a Brucknerian... she has interrogated every bar of these scores for herself.” Stutzmann herself has called Bruckner one of her favourite composers and has a deep connection to his music.

Between Atlanta, Monte-Carlo, and top international orchestras (Philadelphia, New York, Concertgebouw), Nathalie Stutzmann ranks among today’s most sought-after conductors.