This album aims to highlight one of the instruments that Barrios loved and played most, his Francisco Simplicio guitar, made in 1927. The selected pieces underline the main musical directions that stand out within the vast repertoire linked to Barrios, also making reference to the works of authors that he used to perform and who therefore had a voice on this instrument, like Chopin, Bach or Tarrega.

Contents:
1. Caazapá (Aire popular paraguaya)
2. Luz Mala – Estilo uruguayo
3. Aire de Zamba
4. Danza Paraguaya
5. Chôro da saudade
6. Waltzes, op.8
7. Julia Florida – Barcarola
8. Mazurka apasionada
9. Preludio en do menor
10. Medallón antiguo
11. La catedral, I. Preludio saudade
12. La catedral, II. Andante religioso
13. La catedral, III. Allegro solemne
14. Suite in E major, BWV 1006a: III. Gavotte en rondeau (arr. for guitar by Pietro Locatto)
15. 12 Études, op.29: no.13 in E flat major    
16. Nocturne op.9 no.2 in E flat major (arr. for guitar by Pietro Locatto)
17. Capricho arabe
18. El ultimo tremolo (Una limosna por el amor de Dios)