Vaughan Williams - Pan’s Anniversary
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Label: Albion Records
Cat No: ALBCD054
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 1st January 1970
Contents
Works
Why fum'th in sightFantasia on a Theme by Thomas Tallis (arr. Timothy Burke for voices and strings)
Margery Wentworth
Pan's Anniversary (masque by Ben Jonson)
Peace, Come Away
To Sleep! To Sleep!
Artists
Timothy West (speaker)Samuel West (speaker)
Mary Bevan (soprano)
Sophie Bevan (soprano)
Jess Dandy (contralto)
Johnny Herford (baritone)
Choir of Clare College, Cambridge
Britten Sinfonia
Conductor
William VannWorks
Why fum'th in sightFantasia on a Theme by Thomas Tallis (arr. Timothy Burke for voices and strings)
Margery Wentworth
Pan's Anniversary (masque by Ben Jonson)
Peace, Come Away
To Sleep! To Sleep!
Artists
Timothy West (speaker)Samuel West (speaker)
Mary Bevan (soprano)
Sophie Bevan (soprano)
Jess Dandy (contralto)
Johnny Herford (baritone)
Choir of Clare College, Cambridge
Britten Sinfonia
Conductor
William VannAbout
First, Ben Jonson’s masque Pan’s Anniversary, as adapted for the Shakespeare Birthday Celebration at Stratford-upon-Avon, with incidental music by Ralph Vaughan Williams. At the heart of the music are four great Hymns to Pan for three female soloists, chorus and orchestra. Time was short, so Vaughan Williams delegated some of the dance arrangements to his friend Gustav Holst. The work was performed just once, on Easter Monday 1905 and was reconstructed for this recording.
There are two spoken parts, played here by Timothy West and Samuel West. The soloists Mary Bevan, Sophie Bevan and Jess Dandy are joined by the Choir of Clare College, Cambridge, and Britten Sinfonia under the baton of William Vann. Thomas Gould, the leader of Britten Sinfonia, plays some dances arranged for solo violin, and violin with side-drum.
In addition to this major work, we have three shorter (but lovely) premieres. Peace, Come Away and To Sleep! To Sleep! are two settings of poems by Tennyson that Vaughan Williams wrote when he was a student. They have been orchestrated and edited by the composer Christopher Gordon, who also orchestrated Margery Wentworth, a much later setting of poetry by John Skelton.
Finally, Timothy Burke made an arrangement of the Fantasia on a Theme by Thomas Tallis for voices and string octet as an innovative lockdown project. This is the first full recording with the choir (of 39) and octet under one roof. The words set in the Fantasia were taken from the English translation of Psalm 65 from Archbishop Parker’s Psalter, the source for Tallis’s original setting, which is also heard on the disc.
This ambitious project has been generously supported by The Vaughan Williams Charitable Trust and by many members of The Ralph Vaughan Williams Society.
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