Gautier d’Epinal - Remembrance | Challenge Classics CC72190

Gautier d’Epinal - Remembrance

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Label: Challenge Classics

Cat No: CC72190

Format: CD

Number of Discs: 1

Release Date: 31st March 2008

Contents

Works

Epinal
Aymans fins et verais

Epinal
Quand je voi l’erbe menue

Epinal
Desconfortez et de joie parti

Epinal
Puis qu’il m’estuet de ma dolour

Epinal
Aymans fins et verais

Epinal
Outrecuidiers et ma fole pensee

Epinal
Par son dolz comandemant

Epinal
Commencement de douce saison bele

Epinal
Amours et bone volontez

Epinal
Quand je voi l’erbe menue

Muset
Trop volontiers chanteroie

Anonymous
Chanson (“Roman du Fauvel”)

Anonymous
Estampie (“Roman du Fauvel”)

Cysoing
Chanson (instrumental)

L’Escurel
Estampie (instrumental)

Coincy
Chanson

Artists

Ensemble Syntagma

Conductor

Alexandre Danilevski

Works

Epinal
Aymans fins et verais

Epinal
Quand je voi l’erbe menue

Epinal
Desconfortez et de joie parti

Epinal
Puis qu’il m’estuet de ma dolour

Epinal
Aymans fins et verais

Epinal
Outrecuidiers et ma fole pensee

Epinal
Par son dolz comandemant

Epinal
Commencement de douce saison bele

Epinal
Amours et bone volontez

Epinal
Quand je voi l’erbe menue

Muset
Trop volontiers chanteroie

Anonymous
Chanson (“Roman du Fauvel”)

Anonymous
Estampie (“Roman du Fauvel”)

Cysoing
Chanson (instrumental)

L’Escurel
Estampie (instrumental)

Coincy
Chanson

Artists

Ensemble Syntagma

Conductor

Alexandre Danilevski

About

Dictionaries and encyclopedias often mention Gautier d’Épinal in articles dealing with the music in Lotharingia. Several writers refer to an obscure medieval figure to whom are attributed some 15 to 30 chansons. The researches of the Marquis of Pange a century ago have identified him as the chevalier Gautier V d’Épinal, who was born between 1205 and 1230, and died in 1272. This Gautier belonged to a remarkable family that had ruled the town of Épinal from the eleventh to the fourteenth centuries.

However, Robert Lug proposes a completely different identification in his publication Der Chansonnier de Saint-Germain-des-Prés. According to Dr. Lug, Gautier was a cleric, the nephew of the Bishop of Metz. This Gautier died around 1232. Gautier’s writings reveal the hand of a seigneur rather than a cleric or a functionary, while the absence of compositions after 1232 is easily explained by the fragility of documentation in the hands of time and by the eternal human passion for destruction. In any case, the traits discernible in Gautier’s biography can be attributed either to a chevalier, a cleric, or a functionary.

Contrary to the conventions of courtly literature of his time, the poetry of Gautier gives us considerable insight into his inner world. Whatever Gautier’s lot, whether he was a seigneur from humble Ruppes or a lowly cleric from Metz, the essence of the man is found in his music. As with all the trouvères, it would be dangerous to place a definitive ascription on these melodies. But the cycle associated with Gautier represents a body of work characterised by undeniable unity, cohesion and uniqueness of style.

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