Con Chitarrone: Italian Sonatas from Early Renaissance to Baroque
£14.20 £11.36
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special offer ending 25/06/2024
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Label: Challenge Classics
Cat No: CC72369
Format: CD
Number of Discs: 1
Release Date: 15th November 2010
Contents
Works
FrescobaldiCanzona No.4 (violin, cello, chitarrone)
Castello
Second Sonata (violin, chitarrone) from ‘Sonatae Concertate in Stil Moderno’
Castello
Sonata Ottava (violin, chitarrone) from ‘Sonatae Concertate in Stil Moderno’
Howet
Fantasie (renaissance lute solo)
Gabrielli
Sonata in G (cello, chitarrone)
Bertali
Sonata a 2 (violin, cello, chitarrone)
Marini
Romanesca per violino solo e basso se piace (violin, cello, chitarrone)
Rosenmuller
Sonata No. III in D (violin, cello, chitarrone)
Dowland
Lachrimae (renaissance lute solo)
Cima
Sonata per il violino (violin, cello, chitarrone) from ‘Concerti ecclesiastici’
Vivaldi
Sonata RV 44 (cello, chitarrone)
Corelli
Sonata No.12 - La Follia (violin, cello, chitarrone)
Artists
Leupold TrioWorks
FrescobaldiCanzona No.4 (violin, cello, chitarrone)
Castello
Second Sonata (violin, chitarrone) from ‘Sonatae Concertate in Stil Moderno’
Castello
Sonata Ottava (violin, chitarrone) from ‘Sonatae Concertate in Stil Moderno’
Howet
Fantasie (renaissance lute solo)
Gabrielli
Sonata in G (cello, chitarrone)
Bertali
Sonata a 2 (violin, cello, chitarrone)
Marini
Romanesca per violino solo e basso se piace (violin, cello, chitarrone)
Rosenmuller
Sonata No. III in D (violin, cello, chitarrone)
Dowland
Lachrimae (renaissance lute solo)
Cima
Sonata per il violino (violin, cello, chitarrone) from ‘Concerti ecclesiastici’
Vivaldi
Sonata RV 44 (cello, chitarrone)
Corelli
Sonata No.12 - La Follia (violin, cello, chitarrone)
Artists
Leupold TrioAbout
The Leupold Trio made its debut in 2003 at the International Guitar Festival ‘SaitenSprünge’ in Bad Aibling (Germany) and was an immediate hit. The trio is made up of members from the Combattimento Consort Amsterdam. The trio believe that it has discovered a gaping hole in harpsichord-dominated early music practice, in the performance of sonatas for violin or cello incorporating a chitarrone accompaniment.
It is likely that at noble courts and in the wealthier estates there would have been an excellent harpsichord. It would therefore seem just as likely that at the coffeehouses and hostelries of the time, where there was either no keyboard or it was in disrepair, an alternative would have been needed for the purpose. Obviously the chitarrone or the lute may well have been the instrument of choice.
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