View all recordings of works by this composer
A Venezia (1)Alimelek, oder Die beiden Kalifen (4)
A une jeune mere (1)
Ballade dans la comedie Murillo (1)
Ballade de la reine Marguerite de Valois (1)
Cantique du Trappiste (1)
Cantique for bass solo, 6-part chorus and organ (1)
Canzonettes Italiennes (6) (1)
Chant de mai (1)
Chant des moissonneurs vendeens (1)
Das Brandenburger Tor (1)
De miei giorni (Delire) (1)
Der Admiral, oder Der verlorene Prozess (1)
Der Garten des Herzens (2)
Die Rose, die Lilie, die Taube (2)
Die Rosenblatter (3)
Dinorah (7)
Emma di Resburgo (2)
Fackeltanze zu Preussischen Hochzeiten nos.1-4 (1)
Fantaisie (1)
Fantasie on motives from the opera 'Robert le Diable' (1)
Fest-Ouverture im Stil eines Marsches (1)
Festmarsch zum 100 (1)
Fruhling im Versteck (1)
Geistliche Gesange (7) (1)
Gli amori di Teolinda (2)
Gottergebenheit (1)
Gott und die Natur (excerpt) (1)
Hallelujah: cantatina for 4 male voices, obbligato organ and ad libitum chorus (1)
Hirtenlied (4)
Hor ich das Liedchen klingen (2)
Hymne an Gott (1)
Il Crociato in Egitto (6)
Il nascere e il fiorire d'una rosa (1)
Jephtas Gelubde (Jephthah's Vow) (1)
Jephtas Gelubde (excerpts) (1)
Komm, du schones Fischermadchen (3)
L'Africaine (28)
L'Etoile du nord (8)
La Marguerite du poete (1)
La Pauvre Louise (1)
La barque legere (1)
La dame invisible (1)
La folle de St Joseph (2)
La prophete (1)
Le Chant du dimanche (1)
Le Pardon de Ploermel (7)
Le Poete mourant (2)
Le Prophete: Coronation March (3)
Le Prophete (10)
Le Voeu pendant l'orage (1)
Le bapteme (1)
Le ricordanze (1)
Les Huguenots (18)
Les Patineurs (3)
Luft von Morgen (1)
Margherita d'Anjou (3)
Meeresstille (1)
Menschenfeindlich (1)
Mina (2)
Nella (1)
Offertoire (1)
Pater noster (5)
Prelude et Cantique tire de l'imitation de Jesus-Christ (1)
Pres de toi (1)
Psalm 86: Lehre, Ewiger, lehre mich deine Wege (1)
Psalm 91: psalm-motet for 8 voices (1)
Psalm 124: Wenn der Herr nicht bei uns war (1)
Quintet in E flat major (2)
Religiose Gedichte (2) von Jakob Neus (1)
Robert le diable (Robert the Devil) (14)
Semiramide (2)
Sicilienne (3)
Sie und Ich (1)
Soave istante (1)
Sonntagslied (1)
Standchen (2)
Struensee: incidental music (1)
Suleika (2)
Sur le balcon (1)
The Rare Flower (1)
Wirt und Gast, oder Aus Scherz Ernst (excerpts) (1)
Giacomo Meyerbeer (born Jacob Liebmann Beer; 5 September 1791 – 2 May 1864) was a German opera composer of Jewish birth who has been described as perhaps the most successful stage composer of the nineteenth century. With his 1831 opera Robert le Diable and its successors, he gave the genre of grand opera 'decisive character'. Meyerbeer's grand opera style was achieved by his merging of German orchestra style with Italian vocal tradition. These were employed in the context of sensational and melodramatic libretti created by Eugène Scribe and were enhanced by the up-to-date theatre technology of the Paris Opéra. They set a standard which helped to maintain Paris as the opera capital of the nineteenth century.
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